2 Morceaux pour contrebasse et piano, Op. 9: No. 1, Intermezzo

Fantaisie-concerto for Double Bass & Orchestra, Op. 65: II. Romance 1830. Adagio

Classical

Fantaisie-concerto for Double Bass & Orchestra, Op. 65: III. Finale. Allegro commodo

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String Quintet No. 1 in C Minor, Op. 99 "Gran quintetto": IV. Finale. Allegro con brio

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String Quintet No. 3 in A Major: III. Andante

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Invocation

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La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois (Version for Voice, Piano and String Quintet)

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String Quintet No. 1 in C Minor, Op. 99 "Gran quintetto": III. Adagio

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String Quintet No. 3 in A Major: II. Scherzo. Allegro moderato

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La bonne chanson, Op. 61: No. 5, J'ai presque peur, en vérité (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 8, N'est-ce pas ? (Version for Voice, Piano and String Quintet)

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String Quintet No. 1 in C Minor, Op. 99 "Gran quintetto": I. Allegro moderato

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Chanson triste in E Minor, Op. 2

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String Quintet No. 1 in C Minor, Op. 99 "Gran quintetto": II. Scherzo. Allegro ma non troppo

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La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 8, N'est-ce pas ? (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles (Version for Voice, Piano and String Quintet)

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Shosholoza for Double Bass and Piano

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To The Moon and Back

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La bonne chanson, Op. 61: No. 1, Une sainte en son auréole (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 9, L'hiver a cessé (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été (Version for Voice, Piano and String Quintet)

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Introduction and Variations on The Carnival of Venice

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Isipho

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Clarinet Sextet, Op. 11a: II. Romanza

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La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 1, Une sainte en son auréole (Version for Voice, Piano and String Quintet)

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La bonne chanson, Op. 61: No. 9, L'hiver a cessé (Version for Voice, Piano and String Quintet)

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Clarinet Sextet, Op. 11a: III. Variations & Theme

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La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été (Version for Voice, Piano and String Quintet)

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14 Romances, Op. 34: No. 14, Vocalise

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Clarinet Sextet, Op. 11a: I. Allego commodo

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2 Morceaux, Op. 1: No. 2, Petite valse

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Some Thoughts on African Beer for Solo Double Bass

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Parallel Shadows for Double Bass and Piano: Tree-Shade & Summer Glow

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Humoresque, Op. 4

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Parallel Shadows for Double Bass and Piano: Cloudfall & Morning Rain

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Sunset

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Canticles for Peace

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Bepeinsing

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Parallel Shadows for Double Bass and Piano: Night-Sound & Meadow Dance

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Sonatina: II. Nocturne

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Sonata for Unaccompanied Double Bass, Op. 42

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From the Heart

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December 4

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Scratch + pad – and – six

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Sonatina: III. Fugue

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Friday Afternoon

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Allegro di Concerto alla Mendelssohn

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December 5

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La bonne chanson, Op. 61: No. 5, J'ai presque peur, en vérité (Version for Voice, Piano and String Quintet)

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Capriccio

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Nocturne

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Morceaux de fantaisie, Op. 3: No. 1, Elégie in E-Flat Minor

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Fantasia: I Puritani

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Parallel Shadows for Double Bass and Piano: Star-Shine & Candlelight

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December 1

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