Sahara Swing (Mixed)

Who's Foolin' Who?

Breakbeat

Jabore Part 3

Funk

Ngunga Yeti Fofa (The Joaquin Joe Claussell's Electric Afrika Version)

Electronic

Ngunga Yeti Fofa (The Joaquin Joe Claussell's Electric Afrika Version) [2021 Version]

Electronic

Ngunga Yeti Fofa (The Joaquin Joe Claussell's Electric Afrika Radio Version)

Electronic

Sahara Swing (Mixed)

Electronic

Ngunga Yeti Fofa (The Joaquin Joe Claussell's Electric Afrika Version)

Electronic

The Intent

Thriller

Die Zauberflöte: Ein Mädchen oder Weibchen (Aria)

Classical

The Coventry Carol (Arr. Shaw)

Classical

Hark! the herald-angels sing (Arr. Willcocks)

Classical

Ding dong! merrily on high (Arr. Wood)

Classical

The angel Gabriel (Arr. Pettman)

Classical

The holly and the ivy (Arr. Walford Davies)

Classical

The first nowell (Arr. Willcocks)

Classical

Silent night (Arr. Clarence)

Classical

O come, all ye faithful (Arr. Willcocks)

Classical

The Shepherds' farewell

Classical

Once in royal David's city

Classical

I saw three ships (Arr. Willcocks)

Classical

In dulci jubilo (Arr. Pearsall)

Classical

Advent Responsory (Arr. Marlow)

Classical

Wachet auf

Classical

In the bleak mid-winter

Classical

Away in a manger

Classical

O little town of Bethlehem (Arr. Vaughan Williams)

Classical

While shepherds watched

Classical

O little one sweet

Classical

I sing of a Maiden

Classical

A Child is born in Bethlehem

Classical

Tomorrow shall be my dancing day (Arr. Willcocks)

Classical

Personent hodie (Arr. Holst)

Classical

The Three Kings

Classical

Unto us is born a Son (Arr. Willcocks)

Classical

There is no rose

Classical

The Lamb

Classical

Shepherds' Cradle Song

Classical

Hexaméron – Morceau de concert, "Grandes Variations de bravoure sur la marche des Puritains de Bellini", S. 365a: V. Variation 3 di bravura: Allegro animato (Pixis)

Classical

Totentanz – Paraphrase über Dies irae, S. 126ii: Variation 5. Vivace. Fugato – Cadenza

Classical

Fantasie über Motive aus Beethovens "Ruinen von Athen", S122: I. Tempo di marcia: Moderato

Classical

Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace

Classical

Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio

Classical

Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato

Classical

C M von Webers Polonaise brillante, S. 367: I. Introduzione: Adagio – Quasi andante – Animato

Classical

Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso: Tempo giusto

Classical

Hexaméron – Morceau de concert, "Grandes Variations de bravoure sur la marche des Puritains de Bellini", S. 365a: III. Variation 1: Ben marcato (Thalberg)

Classical

Hexaméron – Morceau de concert, "Grandes Variations de bravoure sur la marche des Puritains de Bellini", S. 365a: IX. Interlude 1: Fuocoso, molto energico – Lento, quasi recitativo

Classical

Hexaméron – Morceau de concert, "Grandes Variations de bravoure sur la marche des Puritains de Bellini", S. 365a: VIII. Variation 5: Vivo e brillante (Czerny)

Classical

Hexaméron – Morceau de concert, "Grandes Variations de bravoure sur la marche des Puritains de Bellini", S. 365a: X. Variation 6: Largo (Chopin)

Classical

Hexaméron – Morceau de concert, "Grandes Variations de bravoure sur la marche des Puritains de Bellini", S. 365a: XII. Finale part 1: Molto vivace quasi prestissimo

Classical

Totentanz – Paraphrase über Dies irae, S. 126ii: Introduction. Andante – Presto – Allegro – Allegro moderato

Classical

Hexaméron – Morceau de concert, "Grandes Variations de bravoure sur la marche des Puritains de Bellini", S. 365a: XIII. Finale part 2: Allegro animato

Classical

Totentanz – Paraphrase über Dies irae, S. 126ii: Variation 3. Molto vivace

Classical

Fantasie über Motive aus Beethovens "Ruinen von Athen", S122: II. Cadenza del pianoforte – Allegro vivace ma non troppo – Allegro molto vivace – Cadenza del pianoforte

Classical