Daphnis Et Chloe, Part I: Danse Generale

Canticle of Freedom

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When Johnny Comes Marching Home

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The Execution of Stepan Razin (Symphonic poem for baritone soloist, mixed chorus and orchestra), Op. 119

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Lumen in Christo: I. Largo

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Symphony No. 7 "A Sea Symphony": I. Lo, the Unbounded Sea

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Symphony No. 7 "A Sea Symphony": III. Joy, Shipmate, Joy!

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Lumen in Christo: II. Andante

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Symphony No. 7 "A Sea Symphony": II. The Untold Want

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The Lament for Beowulf, Op. 25

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Symphony No. 7, "The Sea": I. Lo, the Unbounded Sea

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Symphony No. 7, "The Sea": II. The Untold Want

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Symphony No. 7, "The Sea": III. Joy, Shipmate, Joy!

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America: an Epic Rhapsody: III. 1926: The Present - The Future (Anthem)

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America: an Epic Rhapsody: I. 1620: The Soil - The Indians - (England) - The Mayflower - The Landing of the Pilgrims

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America: an Epic Rhapsody: II. 1861-1865: Hours of Joy - Hours of Sorrow

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Symphony No. 7, "The Sea": II. The Untold Want

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Symphony No. 7, "The Sea": I. Lo, the Unbounded Sea

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Symphony No. 7, "The Sea": III. Joy, Shipmate, Joy!

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: First seduction game: the shabby old rake

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Opening – The girl and three tramps

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The three tramps leap out, seize the Mandarin and tear him away from the girl

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The Mandarin stumbles – the chase becomes even more passionate

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The terrified tramps discuss how they are to get rid of the Mandarin

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The girl begins a hesitant dance…

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The body of the Mandarin begins to glow with a greenish blue light

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Second seduction game: the young student

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The Mandarin enters and remains immobile in the doorway

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace

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A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Third seduction game

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Daphnis et Chloe: Part II

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Peter Ibbetson, Op. 20, Act I: I Could Never Dedicate My Days (Mary)

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Peter Ibbetson, Op. 20, Act I: Dear Friend, What Is the Poem Called? (Colonel Ibbetson, Mrs Glyn, Charlie, Guy)

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A Csodalatos Mandarin (The Miraculous Mandarin), Op. 19, BB 82

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Daphnis Et Chloe, Part I: Danse Generale

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Symphony No. 3: II. Chorale and Toccata

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Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): I. Adagio religioso

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Symphony No. 2 in B flat major, Op. 52, "Lobgesang" (Hymn of Praise): VI. Stricke des Todes hatten uns umfangen (Tenor) - Wir riefen in der Finsternis (Tenor) - Die Nacht ist vergangen (Soprano)

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Dies Natalis I: Introduction & Chorale. Maestoso

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Acis and Galatea, HWV 49: Act I: Sinfonia

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Peter Ibbetson, Op. 20 (Highlights) [Live]: En revenant d'Auvergne

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Peter Ibbetson, Op. 20 (Highlights) [Live]: She Does Not Hear!

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Peter Ibbetson, Op. 20 (Highlights) [Live]: Beloved. Mimsey! Mimsey!

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Acis and Galatea, HWV 49: Act I: Aria: As when the dove laments (Galatea)

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Acis and Galatea, HWV 49: Act I: Duet: Happy we! (Acis, Galatea, Chorus)

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Acis and Galatea, HWV 49: Act I: Aria: Love in her eyes sits playing (Acis)

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Symphony No. 5: II. Songe-Espace (Dream-Space)

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Acis and Galatea, HWV 49: Act II: Trio: The flocks shall leave the mountains (Acis, Galatea, Polyphemus)

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Symphony No. 5: IV. From Soleil et Chair (Sun and Flesh)

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Dies natalis I: Introduction and Chorale. Maestoso

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In Celebration, "Symphony No. 4": II. from The Aeolian Harp

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Lumen in Christo: II. Andante

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Symphony No. 5: III. Ode pour l'Infini (Ode for Infinity)

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In Celebration, "Symphony No. 4": I. … joyful song

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Peter Ibbetson, Op. 20, Act II, Scene 3: Par Ici, Madame la Duchesse (Achille, Mary, Victorine)

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Acis and Galatea, HWV 49: Act II: Aria: Must I my Acis still bemoan (Galatea, Chorus)

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This Sacred Ground

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