Quartet In G Minor for Strings, Op. 10/IV. Très Modéré- Très Mouvementé Et Avec Passion- Très Animé- Très Vií

String Quartet No. 13 in B-Flat Major, Op. 130 with Grosse Fuge: IV. Alla danza tedesca. Allegro assai

Classical

Quartet In F Major for Strings/I. Allegro Moderato. Très Doux

Classical

String Quartet No. 16 in F Major, Op. 135: IV. Grave ma non troppo tratto; allegro

Classical

String Quartet No. 13 in B-Flat Major, Op. 130 with Grosse Fuge: III. Andante con moto, ma non troppo. Poco scherzoso

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String Quartet No. 16 in F Major, Op. 135: I. Allegretto

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Quartet In F Major for Strings/II. Assez Vif - Très Rythmé

Classical

String Quartet No. 13 in B-Flat Major, Op. 130 with Grosse Fuge: I. Adagio, ma non troppo; Allegro

Classical

String Quartet No. 13 in B-Flat Major, Op. 130 with Grosse Fuge: V. Cavatina. Adagio molto espressivo

Classical

Quartet In G Minor for Strings, Op. 10/III. Andantino, Doucement Expressif

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String Quartet No. 16 in F Major, Op. 135: II. Vivace

Classical

Quartet In G Minor for Strings, Op. 10/I. Animé Et Très Décidé

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Quartet In G Minor for Strings, Op. 10/IV. Très Modéré- Très Mouvementé Et Avec Passion- Très Animé- Très Vií

Classical

String Quartet No. 13 in B-Flat Major, Op. 130 with Grosse Fuge: II. Presto

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Quartet In F Major for Strings/III. Très Lent

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String Quartet No. 13 in B-Flat Major, Op. 130 with Grosse Fuge: VI. Grosse Fugue (Op. 133) Overtura. Allegro - fuga

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String Quartet No. 16 in F Major, Op. 135: III. Lento assai, e cantante tranquillo

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Quartet In F Major for Strings/IV. Vif Et Agité

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Quartet In G Minor for Strings, Op. 10/II. Assez Vif Et Bien Rythmé

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Ainsi la Nuit for String Quartet/III. Litanies

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Ainsi la Nuit for String Quartet/Ainsi la Nuit

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Ainsi la Nuit for String Quartet/I. Nocturne

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Ainsi la Nuit for String Quartet/V. Constellations

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Ainsi la Nuit for String Quartet/IV. Litanies 2

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Ainsi la Nuit for String Quartet/VII. Temps Suspendu

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String Quartet No. 2 "Intimate Letters": III. Moderato

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Ainsi la Nuit for String Quartet/Parenthèse 3

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Ainsi la Nuit for String Quartet/Parenthèse 1

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Ainsi la Nuit for String Quartet/VI. Nocturne 2

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String Quartet No. 2 "Intimate Letters": I. Andante

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Ainsi la Nuit for String Quartet/Parenthèse 2

Classical

String Quartet No. 2 "Intimate Letters": II. Adagio

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String Quartet No. 1, After Leo N. Tolstoy "The Kreutzer Sonata": IV. Con Moto (Adagio)

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String Quartet No. 1, After Leo N. Tolstoy "The Kreutzer Sonata": II. Con Moto

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Lyric Suite: I. Allegretto Gioviale

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String Quartet No. 1, After Leo N. Tolstoy "The Kreutzer Sonata": III. Con Moto

Classical

Ainsi la Nuit for String Quartet/Parenthèse 4

Classical

Ainsi la Nuit for String Quartet/II. Miroir D'espace

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String Quartet No. 2 "Intimate Letters": IV. Allegro

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Scherzo. Assez Vif Et Bien Rythmé from String Quartet In G Minor, Op. 10

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Lyric Suite: VI. Largo Desolato

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Lyric Suite: II. Andante Amoroso

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Lyric Suite: III. Allegro Misterioso - Trio Estatico

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Lyric Suite: V. Presto Delirando - Tenebroso

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String Quartet No. 1, After Leo N. Tolstoy "The Kreutzer Sonata": I. Adagio

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Lyric Suite: IV. Adagio Appassionato

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Verklärte Nacht, Op. 4 (1899)/Sehr Langsam (bar 1) [Instrumental]

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Verklärte Nacht, Op. 4 (1899)/Breiter (bar 100) [Instrumental]

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Verklärte Nacht, Op. 4 (1899)/Sehr Breit Und Langsam (bar 229) [Instrumental]

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Verklärte Nacht, Op. 4 (1899)/Schwer Betont (bar 201) [Instrumental]

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The Art of the Fugue, BWV 1080: Contrapunctus I

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The Art of the Fugue, BWV 1080: Contrapunctus VI In Stile Francese

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The Art of the Fugue, BWV 1080: Contrapunctus XII a 4 Inversus

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Verklärte Nacht, Op. 4 (1899)/Sehr Ruhig (bar 370) [Instrumental]

Classical

The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56: Sonata II: Ganz Erbarmen, Gnad'und Liebe, bist du Mittler, Gotteslamm. (Grave e cantabile)

Classical

The Art of the Fugue, BWV 1080: Canon alla Ottava

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The Art of the Fugue, BWV 1080: Contrapunctus XIV

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The Art of the Fugue, BWV 1080: Contrapunctus IV

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The Art of the Fugue, BWV 1080: Contrapunctus IX alla Duodecima

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The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56: Pater, dimitte illis, non enim sciunt, quid faciunt.

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The Art of the Fugue, BWV 1080: Contrapunctus II

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