Two Sketches For A Computer Piece: Sketch 1

Incantation

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Wireless Fantasy

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Two Sketches For A Computer Piece: Sketch 1

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Underwater Waltz

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Metamorphosis

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Three Scenes From The Creation: III. Epilogue: Spell of Creation

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Suite from "King Lear"

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Of Wood And Brass

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Three Scenes From The Creation: I. Prologue: Enuma Elish

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Sonic Contours

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Three Scenes From The Creation: II. Interlude

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Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude

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Computer Piece No. 1

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Piece for Tape Recorder

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Linear Contrasts

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Seven Studies on Themes of Paul Klee: No. 6, An Eerie Moment

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Two Sketches For A Computer Piece: Sketch 2

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Transposition

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Music for Line of Apogee: II.

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Music for Line of Apogee; V.

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Compositionion

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Reverberation

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Dialogues and Contrasts: I.

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Green for Orchestra (November Steps II)

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Requiem for String Orchestra

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Seven Studies on Themes of Paul Klee: No. 3, Little Blue Devil

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She Was a Visitor

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Interpolation, Mobile for Flute (1, 2 and 3)

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Makrokosmos, Vol. II (Twelve Fantasy-Pieces after the Zodiac for Amplified Piano), Pt. 2: V. Ghost Nocturne for the Druids of Stonehenge (Night-Spell II)

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Creation - Prologue

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Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude

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Leiyla and the Poet

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Livre pour cordes: No. 1a, Variation

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Sound Patterns

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Seven Studies on Themes of Paul Klee: No. 2, Abstract Trio

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Seven Studies on Themes of Paul Klee: No. 1, Antique Harmonies

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Night of the Four Moons (Based on Fragments from Federico García Lorca): III. Otro Adán oscuro está soñando ... (Another Obscure Adam Dreams ....)

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Gargoyles

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Hawthorne (Fragment)

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Le marteau sans maître: III. L'Artisanat furieux

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Leiyla and the Poet

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Boo

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Le marteau sans maître: II. Commentaire I de "bourreaux de solitude"

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Seven Studies on Themes of Paul Klee: No. 7, Pastorale

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Suite from No Exit in Six Parts: Part VI

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Colloquy: Section III.

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Piece For Tape Recorder

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Colloquy: Section IV.

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Le marteau sans maître: I. Avant l'Artisanat furieux"

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Suite from No Exit in Six Parts: Part I

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Emerson Transcription No. 1 with Interpolated Improvisations

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Colloquy: Section II.

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Cloud-Chamber Bowls

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Electronic Study No. 1

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Sonic Contours

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Electronic Study No. 1

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Emerson (Most of Recapitulation)

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Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. Thoreau

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Suite from No Exit in Six Parts: Part V

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Suite from No Exit in Six Parts: Part III

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