17-I : Felice primavera. (Prima Parte)

Peccantem Me Quotidie

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Responsoria - Sabbato Sancto: V. O Vos Omnes

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Responsoria - Sabbato Sancto: VIII. Aestimatus Sum Cum Descendentibus

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Languisco e Moro! (Book 3, No. 3)

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First Nocturn: In Monte Oliveti

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Moro, lasso, al mio duolo, madrigal for 5 voices (Book 6), W. 6/74

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Sabbato Sancto - Ecce Quomodo Moritur Justus

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Ave Dulcissima Maria

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O vos omnes

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Sacrae Cantiones: O Vos Omnes

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Se la mia morte brami, madrigal for 5 voices (Book 6), W. 6/13

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Sacrae Cantiones: Dignare Me Laudare Te

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Sacrae Cantiones: O Crux Benedicta

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Sacrae Cantiones: Sancti Spiritus Domine

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Sacrae Cantiones: Illumina Faciem Tuam

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Sacrae Cantiones: Peccantem Me Quotidie

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Sacrae Cantiones: Tribulationem Et Dolorem

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Sacrae Cantiones: Precibus Et Meritis Beatae Mariae

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Sacrae Cantiones: Exaudi Deus Deprecationem Meam

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Sacrae Cantiones: Ave Dulcissima Maria

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Sacrae Cantiones: Maria Mater Gratiae

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Sacrae Cantiones: Reminiscere Miserationum Tuarum

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Sacrae Cantiones: Ave Regina Coelorum

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Sacrae Cantiones: Hei Mihi Domine

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Sacrae Cantiones: Venit Lumen Tuum Jerusalem

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Sacrae Cantiones: Deus Refugium Et Virtus

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Sacrae Cantiones: Tribularer Si Nescirem

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Sacrae Cantiones: Domine Ne Despicias

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Sacrae Cantiones: Laboravi In Gemitu Meo

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Dies irae (Gregorian Chant)

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Alleluia, Ha-Houwadha-lAruç… (Byzatine Chant) [Arabic Language]

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Mass for 4 Voices: Kyrie

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Ya walidata-l-ilah (Melchite Sacred Chant)

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Tu m'ucchidi, o crudele, madrigal for 5 voices (Book 5), W. 5/6

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Languisce al fin chi de la vita parte, madrigal for 5 voices (Book 5), W. 5/45

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Io Parto (Book 6, No. 6)

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Beltà, poi che t'assenti, madrigal for 5 voices (Book 6), W. 6/16

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Asciugate i begli occhi, madrigal for 5 voices (Book 5), W. 5/57

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Tallis’ Canon, Eighth Tune for Archbishop Parker’s Psalter (Age of the Reformation)

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Ave dulcissima Maria (Renaissance Motet)

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Anchor che col partire (Italian Madrigal)

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Agnus Dei, Omnipotens eterne (Mass from the Year 1000)

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Kyrie, Kyria christifera (English Ladymass, Salisbury, 13th & 14th c.)

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Constant Penelope (Song from the Elizabethan England)

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Hyer matin a l’enjornee (The Art of the Trouvères, Northern France, 12th & 13th c.)

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Mercè grido piangendo, madrigal for 5 voices (Book 5), W. 5/49

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Ekleipsis (Music of Ancient Greece)

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Mater ora filium (Sacred Music in 14th-c. England)

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Flow, my tears (Song from the Elizabethan England)

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Echo la primavera (Italian Ars Nova)

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Dame que je n’os noumer (Motet from the Montpellier Codex, 13th c.)

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Gioite voi col canto, madrigal for 5 voices (Book 5), W. 5/13

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Longum (Hocket from the Bamberg Manuscript, 13th c.)

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O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony)

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Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca. 1150)

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Canzon francese for keyboard, W. 10/16

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Owê dirre nôt (Minnesänger, Holy Roman Empire, 13th c.)

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Missa Viri Galilaei: Agnus Dei

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Sitot me soi (The Art of the Troubadours, Southern France, 11th & 12th c.)

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Allala, pia Calia (Italian Madrigal)

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